Products related to Copyright:
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Art and Copyright
First published in 2001, Art and Copyright has established itself as a leading text in the field.Revised and updated, this third edition includes additional coverage of the following topics:- The relationship between designs law and artistic works;- EU and Brexit developments;- AI-created works;- graffiti and other non-conventional works;- blockchain and rights management;- orphan works;- new exceptions to copyright; and- digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art.
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Contract and Copyright Drafting Skills
Contract and Copyright Drafting Skills is a brand new title which will help you develop and create greater flexibility in your drafting skills.Using clear explanations and practical examples your ability to write clauses, draft, negotiate, analyse and review contracts will be enhanced.It is designed to be used in conjunction with your own precedent bank or alongside The A-Z of Contract Clauses, Sixth Edition. This title gives guidance on the variety of techniques that can be used in drafting contracts including the significance of the purpose of the agreement and the focus of the outcome.In addition it covers definitions, an important aspect of contract drafting, and also general background factors that can be useful to consider when drafting a contract. Contract and Copyright Drafting Skills will help you to appreciate the elements that can be edited in a clause thereby widening, decreasing or improving liability, risk, costs, revenue and control of rights.It also explains the process of the expansion, reduction and adaptation of clauses to meet the needs of the circumstances of the parties giving you the confidence to make that assessment and to focus on the aim of achieving the best agreement in the circumstances. Whether new to contact drafting or an experienced contract drafter, whether a lawyer or non-lawyer Contract and Copyright Drafting Skills will provide you with all the tools and guidance you need to become an expert contract drafter.
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Copyright Africa : How Intellectual Property, Media and Markets Transform Immaterial Cultural Goods
Africa is known for its multi-faceted immaterial culture, manifested in highly original music, oral texts, artistic performances and sporting events.These cultural expressions are increasingly regulated by intellectual property rights, as orally transmitted stories are written down, traditional songs broadcast and ownership claimed, and sporting activities once part of village life become national media events.This volume brings together an interdisciplinary team of legal experts, anthropologists and literary scholars to explore, from an African point of view, what happens to intangible cultural goods when they are confronted with large-scale commodification and distribution through media technologies, and globalized and divergent judicial systems, institutions and cultural norms.These transformations are observed in contexts that range from Senegalese wrestling contests to beauty pageants in Mali, from Kenyan hip-hop to the Nigerian novel, from the vuvuzela horn to Cameroonian masks.Contributors address the role of the state and the legacy of the European origination of IP laws, as well as the forms of ownership, technologies of mediation and degrees of commercialization that existed pre-colonially in different African societies.Resisting a single narrative of the imposition of a Western legal regime displacing older African modes, a more complex picture is revealed of the intricate interconnections between pirates, artists, communities, governments and international organizations.It is only when local actors embrace technologies and regulations in a specific historical situation that these become influential forces for change.The question raised is not whether international IP norms conform to African practices, nor whether media impose Western styles, but rather what local actors do with these regulations and how both local and Western practices and technologies impact on each other and co-exist. 'Intellectual property (IP) has become central to global governance but we have little idea of how this international legislation plays out on the ground.This pioneering book shows how local actors use IP rather than the other way around.A must-read for anyone interested in intellectual property.' Isabel Hofmeyr, Visiting Global Distinguished Professor, New York University; Professor of African Literature, University of the Witwatersrand 'A deeply engaging and evidence-rich analysis of the worlds into which intellectual property law, specifically copyright law, has entered in Africa and its effect on these worlds.This collection illustrates the best of what edited volumes can do: create a diverse, informed, and compelling conversation about a specific yet complex topic.' Dr. Hauke Dorsch, AMA African Music Archives, Johannes Gutenberg Universitat Mainz
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Copyright : Best Practices for Academic Libraries
Finally: a plain-language guide to best practices for the complex world of copyright management in academic libraries. Copyright issues continue to perplex librarians and educators.The difficulties and confusion in applying the U.S. Copyright Act became especially apparent when Covid hit and many universities turned to remote learning as their primary method of instruction.Librarians and educators struggled with applying the law for both remote learners and students who were on site.This book provides advice on how to analyze and apply the copyright law to specific areas encountered by librarians and instructors. Coverage includes:Controlled digital lending is a very hot issue and confusing to many as to how copyright could apply in those situationsremote learning do’s and don’ts’ is at the forefront of copyright concerns which was highlighted during the pandemicThe application of copyright to music in light of recent changes to the U.S.Copyright Act has caused much confusion. Analysis of the new law and strategies on how to include music in a curriculum as well as how libraries can provide access and preservation of musical works. Open access initiatives have become increasingly popular.However, open access does not mean that there is no copyright attached to the works. The use of data is exploding as are the copyright issues associated with it.We will examine the issues and provide options. Written by Donna L. Ferullo, the Director of the University Copyright Office at Purdue University who holds both law and library science degrees and Dwayne K.Buttler, the Evelyn J. Schneider Endowed Chair for Scholarly Communication at the University of Louisville, who also holds a law degree.Both Ferullo and Buttler have many years of experience advising their universities on copyright law.
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What is copyright for photos?
Copyright for photos is a legal protection that gives the creator of a photograph the exclusive right to reproduce, distribute, and display their work. This means that the photographer has control over how their photos are used and can prevent others from using them without permission. Copyright for photos helps to protect the originality and creativity of the photographer's work and gives them the ability to earn income from their photographs.
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What is the copyright for YouTube videos?
YouTube videos are automatically protected by copyright as soon as they are created and uploaded to the platform. The creator of the video holds the copyright to their work, and others must obtain permission to use or reproduce the video. However, when users upload their videos to YouTube, they also grant YouTube a license to use, display, and distribute the content on their platform. This means that YouTube has the right to display and promote the video, but the original creator still holds the copyright.
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How can one edit photos obtained under copyright?
To edit photos obtained under copyright, you must first obtain permission from the copyright holder. This can be done by contacting the photographer or the agency that holds the copyright. Once you have obtained permission, you can make edits to the photo while ensuring that you do not infringe on the original creator's rights. It is important to respect the terms of the copyright and give proper credit to the original creator when sharing the edited photo.
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What is the connection between reaction videos and copyright?
Reaction videos often involve using copyrighted material, such as music, movie clips, or TV show footage, without permission from the original creator. This can lead to copyright infringement issues, as the original content owner may claim that the reaction video is using their material without authorization. Many reaction videos rely on fair use as a defense, arguing that their videos provide commentary, criticism, or transformative content that adds value beyond simply reusing the original material. However, the line between fair use and copyright infringement can be blurry, leading to legal disputes and challenges for creators.
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Performing Copyright : Law, Theatre and Authorship
Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work?Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright?Furthermore, who possesses moral rights over the work?To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work.The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research.The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research.The fourth part examines the way moral rights of attribution and integrity work in the context of theatre.The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law.Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice.
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Philips USB Flash Drive 2.0, 64GB, Storage Expansion for Photos, Videos, Music, Files
Philips USB Flash Drive 2.0, 64GB, Storage Expansion for Photos, Videos, Music, Files
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Digitising Cultural Heritage : Clashes with Copyright Law
This book investigates the role played by copyright on the digitisation of cultural heritage from 3 angles: the theoretical differences between cultural property law and copyright; a comparative analysis of the EU, the UK, and the US; and the analysis of current practices and concerns, based on empirical research. As heritage digitisation projects are becoming increasingly common for purposes such as preservation and access, the impact of copyright is also becoming more problematic.In order to provide a full and current picture of the copyright problem, the book first introduces the reader to the debates on cultural heritage and copyright implications of new technologies, including: 2D and 3D scanning; virtual and augmented reality; text and data mining; and artificial intelligence. The author then divides the main critical analysis into 3 parts, referred to as the clashes with copyright.The 1st, theoretical clash, lies between cultural property law and copyright justification theories on the issues of public interest and ownership of heritage.The 2nd clash is in the different legal approaches to digitising in-copyright, public domain, orphan, out-of-commerce and unpublished works in the chosen jurisdictions.The 3rd clash is in the interests of the stakeholders, based on public reactions to existing projects and cases, supported by interviews with heritage professionals engaging in digitisation. By placing itself in this particular intersection of law, heritage, and technology, the book will be of interest to both intellectual property academics and cultural heritage professionals.
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Philips USB Flash Drive 2.0, 64GB, Storage Expansion for Photos, Videos, Music, Files
Philips USB Flash Drive 2.0, 64GB, Storage Expansion for Photos, Videos, Music, Files
Price: 3.49 € | Shipping*: 1.99 €
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How is payment for videos and photos on YouTube and Pinterest handled in terms of copyright?
Payment for videos and photos on YouTube and Pinterest is handled in terms of copyright through the platforms' respective copyright policies. Both YouTube and Pinterest have systems in place to protect the copyright of content creators and ensure that they are fairly compensated for their work. On YouTube, creators can monetize their videos through the YouTube Partner Program, which allows them to earn money from advertisements shown on their videos. Pinterest also has copyright policies in place to protect the rights of content creators, and users can earn money through sponsored content and affiliate marketing. In both cases, creators are responsible for ensuring that they have the rights to the content they upload and that they are not infringing on any copyrights.
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What can I do if I receive a copyright complaint in my YouTube videos despite using no-copyright music?
If you receive a copyright complaint on your YouTube videos despite using no-copyright music, you can first review the details of the complaint to understand the specific issue. If you are confident that you have not used any copyrighted material, you can dispute the claim through YouTube's copyright dispute process. Provide evidence that you have the right to use the music in your video, such as a license or proof that the music is in the public domain. It's important to respond promptly and follow the steps outlined by YouTube to resolve the issue.
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What is the connection between reaction videos and copyright law?
Reaction videos often involve using copyrighted content, such as music, movie clips, or TV show footage, as the basis for the reaction. This raises potential copyright issues, as the original content creators have the exclusive right to reproduce, distribute, and display their work. When making reaction videos, creators must consider fair use, which allows for the limited use of copyrighted material for purposes such as criticism, commentary, or parody. However, the use of copyrighted material in reaction videos must still be transformative and not substitute for the original work, in order to comply with copyright law.
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How to deal with unlisted videos in copyright infringement complaints?
When dealing with unlisted videos in copyright infringement complaints, it is important to first verify the ownership of the copyrighted content. If the unlisted video is indeed infringing on your copyright, you can reach out to the platform hosting the video and submit a formal copyright infringement complaint. Provide evidence of your ownership and the infringement, and request for the video to be taken down. If the platform does not take action, you may need to seek legal advice and consider sending a cease and desist letter or filing a formal DMCA takedown notice.
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